| 000 | 01900 a2200229 4500 | ||
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| 999 |
_c10990 _d10990 |
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| 020 | _a9780674028333 | ||
| 050 |
_aPL856 _bSUT 2008 |
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| 100 |
_a Suter, Rebecca, _d1975- _eauthor |
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| 245 |
_aThe Japanization of modernity : _bMurakami Haruki between Japan and the United States / _cRebecca Suter |
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| 264 |
_aHarvard University Asia Center : _bDistributed by Harvard University Press, Cambridge, Mass., _c♭2008 |
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| 300 | _a x, 236 pages ; 24 cm. | ||
| 336 |
_2text _atxt _brdacontent |
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| 337 |
_2unmediated _an _brdamedia |
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| 338 |
_2volume _anc _brdacarrier |
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| 440 | _aHarvard East Asian monographs, 298 | ||
| 500 | _aOnline version: Japanization of modernity. Suter, Rebecca, 1975- 742433846 | ||
| 505 | _a1. The Japanization of Modernity 2. Murakami Haruki, Japan, and America 3. Language and Culture 4. Literature and Identity 5. In Other Worlds | ||
| 520 | _aMurakami Haruki is perhaps the best known and most widely translated Japanese author of his generation. Bringing a comparative perspective to the study of Murakami's fiction, Rebecca Suter complicates our understanding of the author's oeuvre and highlights his contributions not only as a popular writer but also as a cultural critic on both sides of the Pacific. Suter concentrates on Murakami's short stories - less known in the West but equally worthy of critical attention - as sites of some of the author's bolder experiments in manipulating literary (and everyday) language, honing cross-cultural allusions, and crafting meta-fictional techniques. This study scrutinizes Murakami's fictional worlds and their extra-literary contexts through a range of discursive lenses: modernity and postmodernity, universalism and particularism, imperialism and nationalism, Orientalism and globalization."--Jacket | ||
| 650 | _aArt appreciation | ||
| 650 | _aMurakami, Haruki 1949- | ||
| 942 |
_2lcc _cBK _h856 _iSUT _kPL |
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